Agustín Díaz Yanes reveals the keys to the film about ETA
Agustín Díaz Yanes revolutionized Spanish cinema 30 years ago, when he released a dry, violent and forceful debut feature like No one will talk about us when we are deadwhich in 1995 made Victoria Abril the protagonist of an action film that drew on the cañí imagination and showed that it could also be done here. Tano, as his friends call him, hasn’t been too lavish since then.
At this time he had directed only five films (among them Alatriste) until Juan Antonio Bayona read a script that he had in a drawer without picking up and, together with Netflix and his usual producers (Sandra Hermida and Belén Atienza), they convinced him to make what has become his sixth film, A ghost in battle (which can now be seen on the platform).
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