Review of A Place Far Far From Here: Is It Worth Watching?

A Place Far Far From Herereleased in 2022 and now available on Netflix, adapts Delia Owens’ bestseller for the screen. Directed by Olivia Newman and scripted by Lucy Alibar, the film mixes drama and suspense in a story of isolation, love and mystery. Starring Daisy Edgar-Jones in the lead role, it explores the life of Kya Clark, an abandoned young woman growing up alone in the swamps of North Carolina. In 2025, with streaming facilitating access, the film will gain new life. But does it deliver excitement or disappoint? Below, I analyze the successes and failures to guide your choice.

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Captivating premise in a hypnotic setting

The narrative begins in the 1950s, with Kya (Daisy Edgar-Jones) as a child rejected by her family. Alone at six years old, she survives in the Marshlands, learning from nature and facing prejudice from the neighboring town. Years later, in 1969, two men enter her life: the sensitive Tate (Taylor John Smith) and the charming Chase (Harris Dickinson). Romance blossoms, but a murder rocks everything, leading to a tense trial.

Based on Owens’ book, the film faithfully recreates Kya’s isolation, using the swamps as a living character. Polly Morgan’s photography captures wild beauty, with murky waters and migratory birds that symbolize freedom. However, the slow pace, typical of southern dramas, can test patience. The crime thriller comes late, leaving the first 40 minutes more poetic than urgent.

Solid cast, especially Daisy Edgar-Jones

Daisy Edgar-Jones shines as Kya, conveying vulnerability and strength with subtle glances. Your transition from Normal People For this solo role he proves versatility, especially in the scenes of solitude. Taylor John Smith convinces as Tate, the gentle biologist who teaches Kya to read, creating natural chemistry. Harris Dickinson, from Euphoriaadds layers to the villainous Chase, mixing seduction and menace.

The supporting cast enriches the world: David Strathairn as the compassionate lawyer and Michael Hyatt as the protective neighbor. Still, some actors, like those from Kya’s childhood, feel underused. The lack of diversity in the book – and the film – reflects criticisms of the original novel, ignoring black voices in the swamps of the South. Despite this, the performances elevate the material, making Kya unforgettable.

Delicate direction, but predictable script

Olivia Newman, in her feature film debut, directs sensitively, prioritizing atmosphere over action. Scenes of Kya painting shells or sailing the boat evoke tranquility, contrasting with the oppressive judgment. Lucy Alibar, co-writer of The Big Playfaithfully adapts the book, preserving Owens’ poetic voice. Mychael Danna’s score reinforces the melancholic tone, with folk melodies that echo the lament of the Marshlands.

However, the script stumbles into clichés. The love triangle is formulaic, and the murder mystery, central to the second act, proves predictable for anyone who has read the book. Roger Ebert noted the film as “tepidly restrained,” and I agree: it lacks boldness for a wild woman plot. The ending, evasive and poetic, divides opinions – poetic for fans, cheat for critics like the Guardian.

Clear strengths and limitations

The marshlands filmed in Louisiana mesmerize, with scenes of Kya emerging from the water like a modern-day mermaid. The message of female resilience resonates, especially in times of empowerment. The performances, led by Edgar-Jones, anchor the drama, and the final trial injects much-needed tension.

Limitations weigh heavily: the uneven pacing drags down the initial romance, and the poetic tone borders on melodramatic. Reviews on Variety call it a “compelling wild-child tale,” but Reddit sees it as “shallow and contrived.” Racial changes in the cast, such as altered black characters, echo debates about the book. Still, for a debut, Newman nails the empathy.

Is it worth watching in 2025?

Yes, if you love stories of overcoming and wild nature. On Netflix, it’s ideal for a reflective evening; to rent on Amazon Prime, Apple TV, Google Play or YouTube, it’s worth the investment for fans of the book. At 2h05min, it requires patience, but rewards with visual beauty and raw emotion. Avoid if you are looking for quick action – opt for Gone Girl.

For newcomers to Owens, it’s an accessible gateway. In a crowded catalogue, it stands out for its sureña originality, even with its flaws. Watch and decide: Is Kya a victim or a survivor?

A Place Far Far From Here is a contemplative drama that captures Kya’s wild essence, thanks to Daisy Edgar-Jones and stunning sets. Despite a predictable script and slow pace, it offers an emotional journey that nourishes the soul, as one blogger said. In 2025, on Netflix or rental platforms, it’s a solid choice for those who value resilience over turnarounds. It’s not perfect, but its swampy poetry remains in the memory. It’s worth the play.

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