The 4 best films that arrived on Netflix this week — handpicked
In 2025, Netflix will once again alternate newly released films with hits from previous years, moving them from window to window as licenses and regional agreements expire. The combination this time brings together a recent South Korean disaster, a signature action thriller and two pop culture fantasy films from 2018 and 2019. Despite their different origins, the four films share a contemporary anxiety: relying on systems that seem solid until the moment they fail. Building, work routine, digital world and family appear as unstable zones, where trust is negotiated and risk requires immediate responses.
In one of the films, the threat does not come from a villain, but from the advance of water that turns a condominium into a vertical prison. With unusable elevators and intermittent signals, residents are trapped on high floors, with dwindling resources and increasingly difficult collective decisions. The presence of an artificial intelligence researcher and a building security agent takes the drama into the gray zone between manual and improvisation, when what matters is inventing routes, dividing supplies and containing panic. In another film, the confinement is mental: a professional trained to disappear tries to maintain anonymity and control while a poorly executed job breaks his rhythm and pushes him into a silent hunt, between airports, hotels and fake contracts, with his own vulnerability on display.
The two fantasy films deal with the same theme in more colorful ways: identity as performance and power as dispute. In one of them, a physical world in crisis pushes millions into a virtual universe where riddles are worth a fortune and control of the system is the prize, while a corporation tries to buy advantage with money and coercion. The distance between avatar and person, between real friendship and online reputation, becomes a dramatic engine and commentary on a life mediated by screens. In the other, a teenager starts to inhabit an adult body when he utters a word, and the clash between appearance and maturity puts the adoptive family at the center of the conflict. The coincidence of these films arriving in the same week reveals a cinema that prefers crises of confidence to heroic certainties, without giving up rhythm and imagination.
The Great Flood (2024), Kim Tae-gon
A massive flood hits a South Korean city and turns a residential building into a space of extreme confinement. With water levels rising rapidly, residents are isolated on the upper floors, without efficient communication and with increasingly limited resources. Among them are a researcher specializing in artificial intelligence and a security agent responsible for the building, who end up forced to cooperate to face the situation. The emergency reveals structural flaws, poorly calculated decisions and the difficulty of coordinating actions when protocols stop working. As water invades corridors and common areas, survival begins to depend on immediate choices, improvisation and trust between people who barely knew each other. The narrative follows the advance of the flood and the psychological impact of confinement, observing how fear, fatigue and pressure change behaviors. Instead of focusing on large displacements or spectacular rescues, the story focuses on the experience of remaining trapped in a space that becomes progressively more hostile, transforming a natural disaster into an ongoing test of resistance, adaptation and collective responsibility.
The Killer (2023), David Fincher
Disclosure / NetflixA professional assassin performs his work according to a strict set of personal rules, based on emotional control, obsessive preparation and anonymity. After a long wait in Paris, a precisely planned execution fails, triggering a chain reaction that threatens their safety and autonomy. Forced to abandon his position as a distant observer, he begins a journey across different countries to contain the damage, eliminate risks and regain control of his own routine. The trajectory goes through calculated meetings, discreet movements and the systematic use of services and technologies that allow us to operate on the margins of public visibility. Along the way, the narrative observes the contradiction between the internal discourse of absolute discipline and the real fragility of a system that depends on constant success. The focus is not on redemption or moral transformation, but on trying to preserve a method of life that relies on repetition and isolation. The story follows this movement with attention to the details of the work, the psychological cost of permanent vigilance and the way in which error dismantles an identity built to not fail.
Shazam (2019), David F. Sandberg
Disclosure / Warner Bros.A teenager raised in foster homes faces difficulties adapting to new families and finding emotional stability. His routine changes abruptly when he is chosen by an ancient wizard to receive extraordinary powers, capable of physically transforming him into an adult hero by pronouncing a specific word. Despite his powerful appearance, his mentality remains that of an insecure young man, which generates situations of discovery, error and learning. While experimenting with the limits and possibilities of this new body, a threat linked to the magician’s own past emerges: a man obsessed with the same source of power, who ends up accessing dangerous forces associated with supernatural entities. The narrative follows the contrast between fantasy and everyday life, exploring how extraordinary abilities do not automatically resolve personal conflicts. Along the way, the notion of family gains weight, not just as a biological bond, but as a construction based on choice and responsibility. The plot develops from this tension between personal maturity and duty, observing how assuming power implies accepting consequences that go beyond the initial fun.
Ready Player One (2018), Steven Spielberg
Disclosure / Warner Bros.In a future marked by economic crisis and environmental collapse, a large part of the population finds refuge in a vast digital universe called OASIS. In this virtual environment, users take on avatars, build reputations and live experiences that contrast with the precariousness of the physical world. After the death of the system’s creator, a global challenge is announced: a competition structured in clues and riddles that promises to deliver not only a fortune, but control of the OASIS itself to whoever wins. A young orphan decides to participate in the dispute and soon realizes that the game requires more than technical skill. Cultural knowledge, reading codes from the past and the ability to collaborate become essential. At the same time, a large corporation attempts to monopolize competition using financial power and coercion. As the race progresses, alliances are formed and tested, and the separation between virtual identity and real life begins to blur. The narrative follows this transition, exploring the tension between escapism and responsibility in a world that prefers to hide behind screens.

Hi! I’m Renato Lopes, an electric vehicle enthusiast and the creator of this blog dedicated to the future of clean, smart, and sustainable mobility. My mission is to share accurate information, honest reviews, and practical tips about electric cars—from new EV releases and battery innovations to charging solutions and green driving habits. Whether you’re an EV owner, a curious reader, or someone planning to make the switch, this space was made for you.



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