The 5 best films on Netflix in 2025 (so far), according to critics from 15 of the biggest newspapers and film magazines in the world

It was not “Netflix” who chose these films, nor the platform’s ubiquitous daily Top 10, nor the algorithm that decides what appears on the home screen. To come up with a list of the five features released in 2025 that most impressed, moved and intrigued critics, “Revista Bula” turned to another thermometer: that of the newsrooms that, for decades, have helped organize the cinephile imagination in different countries. Instead of counting clicks, arguments were counted; instead of measuring minutes watched, critical insistence, recurrence in lists and consistency of praise were measured.

The starting point was fifteen review houses that any cinephile will recognize from afar. From the United States came “The New York Times”, “Los Angeles Times”, “The Washington Post”, “The New Yorker”, “Variety”, “The Hollywood Reporter” and the website “RogerEbert.com”, direct heir to the tradition of one of the most influential critics of the 20th century. From the United Kingdom, “The Guardian”, “Sight & Sound” (magazine of the British Film Institute) and “Screen International/Screen Daily”. From France, “Le Monde” and “Cahiers du Cinéma”; from Spain, “El País”; from Italy, “la Repubblica”; of Germany, the “Süddeutsche Zeitung”. Together, these vehicles represent different aesthetic lines and interests, but share the same level of demand.

The survey only considered films released in 2025 and available on “Netflix” — either as originals produced for streaming or as titles distributed exclusively by the platform. From there, three layers of information were crossed: presence on “best of the year (so far)” lists and festival reviews; high marks in reviews signed by renowned critics; and recurrence in analytical texts that cited the same titles again over the months. When a film appeared at the same time in the pages of “The New York Times”, in a warm review in “The Guardian” and in a laudatory mention in “Cahiers du Cinéma”, for example, it gained additional weight in the calculation.

The result is a prestigious selection, built on the way in which these five films have been debated, defended and revisited by critics in different countries. “Train Dreams”, by Clint Bentley, was welcomed as a delicate heir to an American contemplative tradition, evoking names like Terrence Malick in European and North American publications. “The Perfect Neighbor”, by Geeta Gandbhir, began to appear frequently in texts about political documentaries, racial violence and “stand your ground” laws. “Frankenstein”, by Guillermo del Toro, was described by more than one critic as the most mature work of the director’s career. “House of Dynamite”, by Kathryn Bigelow, reignited debates about Hollywood political cinema and the ethics of nuclear threat narratives. “Jay Kelly”, by Noah Baumbach, appears on best of the year lists as an uncomfortable portrait of aging masculinity and the emotional cost of fame.

Hi! I'm Renato Lopes, an electric vehicle enthusiast and the creator of this blog dedicated to the future of clean, smart, and sustainable mobility. My mission is to share accurate information, honest reviews, and practical tips about electric cars—from new EV releases and battery innovations to charging solutions and green driving habits. Whether you're an EV owner, a curious reader, or someone planning to make the switch, this space was made for you.

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