The best authentic cinema movies of 2025
You don’t like movies, stop bragging. Those who embrace a cinematic passionwho do not practice because they are focused on exciting work, cause more damage than those who limit themselves to ignoring today’s septic art. However, in the catacombs of the rooms survive the best titles of 2025:
- September 5. It is the modest version of Spotlight. A lesson in dizzying television editing within the cinema, about the Palestinian terrorist attacks, sorry, in Munich ’72.
- Final destiny, blood ties. Horror is the only surviving film genre, and this franchise contains the best opening twenty minutes in film history, surpassing Hitchcock’s Vertigo.
- Drop/The quote. Speaking of Sir Alfred, he would have gladly signed this masterful variant of mobile phone cinema, another flourishing subgenre. Your eyes will not leave the screen.
- The unwanted. It is the antithesis of the previous one, a sleepy thriller marinated in the nebulous atmosphere of David Lynch. The only Icelandic film on a list without any Spanish contribution.
- Maria Callas. You go with resignation to another myopic, and you are surprised by the sober Angelina Jolie in her best work, playing a Maria Callas who had shaved her nose.
- Black Bag. An underrated masterpiece, which stems precisely from the thesis of Brad Pitt and Jolie in Mr. and Mrs. Smith. Sensational Michael Fassbender and Cate Blanchett, as a couple of devious spies.
- The girls on the balcony. A reborn Almodóvar would shoot a film like that. Not only does it fulfill the obligatory inclusion of a French mention, it is also the black comedy of the year.
- Blue Moon. A gem, conceived as if the dialogues still mattered to someone. Ethan Hawke covers the full range of reactions provoked by a drunk illustrated by Jeffrey Bernard avant la lettre. I’m sure Margaret Qualley is impeccable, for those who might miss her gaze.
- Babygirl. It is the digital version of Nine and a Half Weeks, with Nicole Kidman leaving critics of the puritanical left speechless. It joins with Witch Hunt, where Julia Roberts undertakes the same dissolving and self-punitive function. Liberated and above all liberating at 58 years old.
For the first time, the worst films of the year surpass the excellent productions in critical appreciation and, above all, at the box office. It is not about choosing titles so repellent that they force you to leave the room even if you are traveling by plane, but about going against the fans of evidence. For example in Sirat, which will be a terrible movie with an Oscar included. Jurassic World is the most detestable of the saga, compared to the brilliance of F1 as a blockbuster. In Sinners you will only find another zombie game, compared to the genius of Weapons. The bombshell pretentiousness of Eddington, the unbearable pain of A real pain. The teachers forced us to do the Brazilian bullshit. I’m still here, but those who haven’t seen it will call you a bastard if you report it. The dizzying The Brutalist, the unbearable Robert Pattinson twice in Mickey 17. It’s a shame they didn’t know how to finish Heretic, cwith his rehabilitated Hugh Grant. As for Nosferatu, what a nice photograph you have, under those two eyebrows.
Hi! I’m Renato Lopes, an electric vehicle enthusiast and the creator of this blog dedicated to the future of clean, smart, and sustainable mobility. My mission is to share accurate information, honest reviews, and practical tips about electric cars—from new EV releases and battery innovations to charging solutions and green driving habits. Whether you’re an EV owner, a curious reader, or someone planning to make the switch, this space was made for you.
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